创意

艾伦琼斯 Allen Jones

艾伦·琼斯(Allen Jones,生于1937年9月1日)是英国最有名的波谱艺术家,一生创作了大量的绘画作品,画风欢快幽默,色彩明朗。

集传统艺术与波普艺术于一身,他创作的“两性人”系列,部分作品有情色意味。但让琼斯最出名的是我们介绍的这把椅子和与它相配的一张桌子。

艾伦·琼斯(AllenJones)在1969年以艺术家的身份制作了一件三联作品《桌子、椅子、衣帽架》,他以仿真裸体作为桌椅的基本骨架,总让人在使用和欣赏时陷入想入非非的联想,是一件艺术家以家具的名义最为直接地将身体作为消费品呈现在公众视野面前的作品,赤裸得让人有些不知所措。

先锋艺术家无穷无尽的消费和欲望组成了一列列高速奔跑的列车,将我们快速地输送到一个大消费时代,在极度的消费观念和消费方式中,围绕消费产生的新审美方式,在无序的文化废墟里显得妖艳和活力异常,此时我们的身体在新的无法被准确命名的审美环境中成为被消费的对象,身体彻底沦为可以被量化的消费品时,身体的各种,矜持和文化隐喻被各种赤裸所取代。当身体成为消费品时,家具设计的观念也随之发生了转换,家具设计不仅仅只是让身体舒适那么纯粹了,身体的观念、隐喻、姿态、形态等等都直接成为设计师进行创作的符号和形式。

在2008年成功的举办了新雕塑作品展后,英国伦敦马尔伯勒画廊于今年展示艾伦·琼斯的最新绘画作品展。

艾伦·琼斯是目前不列颠最著名的艺术家之一,此次最新绘画作品展于9月8日开幕,并将持续到10月8日。

琼斯情色椅子

剧院以及其与绘画之间的关系,这强烈吸引了艾伦·琼斯,她说到:“剧院中的空间是由演员们激活的,在绘画中,则是由参观者激活。”“像照相机中的景深一样,每一件绘画都有其特别的参与区,而这个参与区取决于画面的尺寸和参观者的眼力。在这个区域中,图像总有一种力量,就像是剧院中的表演一样,就算观众们更换座位,其力量总不变。”这就是参观者“参与区”的新绘画发展理念,很明显,这来自于照相机或现场表演经验。

艾伦琼斯波普艺术作品欣赏

Born in 1937 at Southampton, studied painting and lithography from 1955 to 1961 at Horsney College of Art in London, where the teaching method was based largely on Klee’s “Pedagogical Sketchbook”. During this period he travelled to Provence and to Paris, where he was highly impressed by the work of Delaunay. In 1959 he visited the Musie Fernand Liger in Biot. In 1960 he was expelled from the Royal College of Art, where he had studied with R. B. Kitaj, Peter Phillips, David Hockney and Derek Boshier. Between 1961 and 1963 he taught lithography at Croydon College of Art.

His work in the early sixties was influenced by psychology and by his reading of Nietzsche, Freud and Jung. In 1963 he received the Prix des Jeunes Artistes at the Paris Biennale. In 1964 he moved to New York and travelled throughout the USA. In New York Hockney drew his attention to the world of mass-produced consumer goods imagery. He worked on a three-dimensional illusionism with obvious erotic components. In 1969 Allen Jones made the sculptures Table Sculpture and Hat Stand (images below), which became the most famous forniphiliac artwork around. The female furniture at the Korova Milkbar scene in Stanley Kubrick’s controversial Clockwork Orange (1971) was inspired by this work, but not created by Allen Jones as is sometimes mistakenly claimed.

From 1968 to 1970 he was Guest Lecturer at the Hochschule für Bildende Künste, Hamburg. In 1969 he was Visiting Professor at the University of South Florida, Tampa. In 1973 he was Guest Lecturer at the University of Los Angeles, Irvine. He visited Japan in 1974. He toured Canada in 1975. In 1976 he designed Barbet Schroeder’s film Maitresse. In 1977 he was Guest Lecturer at the University of California, Los Angeles, and in the summer of the same year, Visiting Director of Studies in painting and drawing at the Banff Center School of Fine Arts in Alberta, Canada. He designed a hoarding in 1978 for the hosiery factory Fogal at Basle station. He had a large retrospective exhibition in 1979 at the Walker Art Gallery, Liverpool, also shown at the Serpentine Gallery, London, at Sunderland, Baden-Baden and Bielefeld. From 1982 to 1983 he was Guest Professor at the Hochschule der Künste, Berlin. In 1986 he was made R.A.

Allen Jones pop works

艾伦琼斯海报设计

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